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2
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A flat, rectangular, vertical member projecting from a wall of which it forms a part. It usually has a base and a capital and is often fluted.
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6
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A method of realistic drawing in which the part of an object closest to the viewer is a planar face, and all the lines describing sides perpendicular to that face can be extended back to converge at one point, the vanishing point.
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7
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Any structure designed with a primary central space surrounded by symmetrical areas on each side.
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8
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French meaning “to fool the eye.” A form of painting that attempts to represent an object as existing in three-dimensions, and therefore resembles the real thing.
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9
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The process of incising a design in hard material, often a metal plate (usually copper); also, the print or impression made from such a plate.
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11
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The structure consisting of the part of a classical temple above the columns between a capital and the roof.
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12
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The topmost projecting part of an entablature (right under the pediment).
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13
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A triangular space enclosed by the curves of arches.
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14
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A gradual transition from light to dark in a painting. Forms are not determined by sharp outlines, but by the meeting of lighter and darker areas.
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15
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A tower from which the muezzin calls the people to prayer.
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1
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Nude corner figures on the Sistine Chapel ceiling.
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2
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This period was religious, political, intellectual and cultural upheaval that splintered Catholic Europe, setting in place the structures and beliefs that would define the continent in the modern era.
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3
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A Muslim house of worship.
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4
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A holy man who calls Muslims to prayer.
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5
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A distinctive ornament at the apex of a roof, pinnacle, canopy, or similar structure in a building.
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10
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Plump, naked little boys, often winged; in classical art, called cupids, in Christian art, cherubs.
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