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Visual Art Terms



                        P   L                                                
            G E S T U R E   I     C       S   R                              
                        R   N   T O N E   U   E                              
                        S   E     M       B   A     A                        
                        P   O     P       O   L     B                        
            O U T L I N E   F     O       R   T     S                        
                        C   S     S       D   E     T                        
                  T I N T   I     I   M   I   X     R   I                    
                        I   G     T   O   N   T     A   N                    
                        V   H     I   T   A   U     C   T                    
                      C E N T E R O F I N T E R E S T   E                    
                      O           N   F   E   E         N                    
        D             M                                 S T Y L E            
        O     S       P O I N T P E R S P E C T I V E   I                    
        M     Y       O                                 T                    
        I     M       S P L I T C O M P L E M E N T A R Y                    
        N     M       I                             N                        
      V A L U E C O N T R A S T                 S H A D E                    
        N     T       I                             L                        
S K E T C H   R     C O L O R H A R M O N I E S     O                        
        E     I       N                             G                        
              C     V A N I S H I N G P O I N T     O   C                    
      P R I M A R Y   L                             U   O   A       U   V    
              L     I M P L I E D T E X T U R E     S   L   S E C O N D A R Y
                      O                         A       O   Y       I   L    
                      V I S I B L E C O L O R S P E C T R U M       T   U    
                      E                         P   A   S   M       Y   E    
                  C O M P L E M E N T A R Y     R   L   C   E                
                      E                         O   L   H   T E R T I A R Y  
                  M O N O C H R O M A T I C     X   I   E   R                
                      T   O   A       E   O     I   G   M   I N V E N T E D  
                          L   D       X   N     M   R   E   C                
                          O   I       T   T     A   A     P A T T E R N      
                          R   A       U   R     T   P       L                
                          W   L       R   A     E   H                        
                          H           E   S         Y                        
                      S P E C T R U M     T                                  
                          E                                                  
                  S I M U L A T E D                                          
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3 An energetic type of line that catches the movements and gestures of an active figure.
7 A less intense value of a hue, created by adding gray to the original hue.
9 A line that defines the outer edge of a silhouette or the line made by the edge of an object.
10 A lighter value of a hue, created by adding white to the original hue.
13 The area of an artwork which the eye is directed or the visual focal point of the work.
15 The distinctive character contained in the artworks of an individual, a group of artists, a period of time, an entire society, or geographical location.
17 All parallell lines of projection appear to converge and disappear at the vanishing point
18 A color plus the two hues next to that color’s complement that form a Y on the color wheel are called a(n).
20 Dark and light values placed close together are called.
21 A darker value of a hue, created by adding black or a darker complementary color to the original hue.
22 A quick line that captures the appearance of an object or the impression of a place.
23 Combinations of color that can be defined by their positions on the color wheel are called.
24 In a composition featuring linear perspective, that spot on the horizon toward which parallel lines appear to converge and at which they seem to disappear.
26 The hues, red, yellow, and blue, from which all other hues are made.
30 The perceived surface quality in an artwork.
31 The hues, orange, green, and purple, produced by mixing equal amounts of any two primary colors.
33 A hue is the name of a color, determined by its position where?
35 Any two colors that are opposite each other on the color wheel and when mixed together form a neutral
36 The six colors that have two word names and are created by mixing a primary and a secondary color on the color wheel.
37 A single hue plus black and white
42 A kind of visual texture that does not represent a real texture but creates a sensation of one by repeating lines and shapes in a two-dimensional pattern and is the opposite of simulated texture.
43 A principle of design in which the repetition of elements or combination of elements forms a recognizable organization.
44 The complete range of color present in white light.
45 A kind of visual texture that imitates a real texture by using a two-dimensional pattern to create the illusion of a three-dimensional surface and is the opposite of invented texture.
1 An artist’s representation of a three-dimensional world on a two-dimensional surface.
2 A type of implied line from a figures eyes to a viewed object, directing the attention of the viewer of a design from one part of it to another.
4 The arrangement of elements such as line, value, and form within an artwork.
5 Describes anything of lesser importance than the dominant element in an artwork.
6 The actual surface quality of an artwork.
8 Art that emphasizes design or whose basic character has little visual reference to real or natural things.
11 A two or three dimensional unit that is repeated to form a pattern.
12 The strength, brightness, or purity of a color.
13 The path that the viewer’s gaze is directed to follow because of the arrangement of the elements in an artwork.
14 A concept that one primary element attracts more attention than anything else in a composition.
16 The organization of the parts of a composition such that each side of a vertical axis mirrors the other.
19 Hues that are next to each other on the color wheel and have a single color in common are called a(n).
25 A combination of colors that has a relationship and a specific effect.
27 The organization of the parts of a composition such that each side of a vertical axis are visually equal without being identical.
28 The sense of oneness or wholeness in a work of art.
29 An element of design that refers to the lightness or darkness of grays and colors.
32 The organization of the parts of a composition such that each side of a vertical axis contains similar, but not identical shapes or forms.
34 Precise, elegant handwriting or lettering done by hand.
38 A graphic organizer or picture of all the colors in a special order.
39 A composition that is based on a circle, with a design radiating from a central point has this type of balance.
40 An artwork’s actual or implied surface quality, such as rough, smooth, or soft.
41 A principle of design that refers to differences in elements such as color, texture, value, and shape, that as well, add excitement, drama, or interest to a work of art.
 
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