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3
|
An energetic type of line that catches the movements and gestures of an active figure.
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7
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A less intense value of a hue, created by adding gray to the original hue.
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9
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A line that defines the outer edge of a silhouette or the line made by the edge of an object.
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10
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A lighter value of a hue, created by adding white to the original hue.
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13
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The area of an artwork which the eye is directed or the visual focal point of the work.
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15
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The distinctive character contained in the artworks of an individual, a group of artists, a period of time, an entire society, or geographical location.
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17
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All parallell lines of projection appear to converge and disappear at the vanishing point
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18
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A color plus the two hues next to that color’s complement that form a Y on the color wheel are called a(n).
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20
|
Dark and light values placed close together are called.
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21
|
A darker value of a hue, created by adding black or a darker complementary color to the original hue.
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22
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A quick line that captures the appearance of an object or the impression of a place.
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23
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Combinations of color that can be defined by their positions on the color wheel are called.
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24
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In a composition featuring linear perspective, that spot on the horizon toward which parallel lines appear to converge and at which they seem to disappear.
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26
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The hues, red, yellow, and blue, from which all other hues are made.
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30
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The perceived surface quality in an artwork.
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31
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The hues, orange, green, and purple, produced by mixing equal amounts of any two primary colors.
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33
|
A hue is the name of a color, determined by its position where?
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35
|
Any two colors that are opposite each other on the color wheel and when mixed together form a neutral
|
36
|
The six colors that have two word names and are created by mixing a primary and a secondary color on the color wheel.
|
37
|
A single hue plus black and white
|
42
|
A kind of visual texture that does not represent a real texture but creates a sensation of one by repeating lines and shapes in a two-dimensional pattern and is the opposite of simulated texture.
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43
|
A principle of design in which the repetition of elements or combination of elements forms a recognizable organization.
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44
|
The complete range of color present in white light.
|
45
|
A kind of visual texture that imitates a real texture by using a two-dimensional pattern to create the illusion of a three-dimensional surface and is the opposite of invented texture.
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|
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|
|
1
|
An artist’s representation of a three-dimensional world on a two-dimensional surface.
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2
|
A type of implied line from a figures eyes to a viewed object, directing the attention of the viewer of a design from one part of it to another.
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4
|
The arrangement of elements such as line, value, and form within an artwork.
|
5
|
Describes anything of lesser importance than the dominant element in an artwork.
|
6
|
The actual surface quality of an artwork.
|
8
|
Art that emphasizes design or whose basic character has little visual reference to real or natural things.
|
11
|
A two or three dimensional unit that is repeated to form a pattern.
|
12
|
The strength, brightness, or purity of a color.
|
13
|
The path that the viewer’s gaze is directed to follow because of the arrangement of the elements in an artwork.
|
14
|
A concept that one primary element attracts more attention than anything else in a composition.
|
16
|
The organization of the parts of a composition such that each side of a vertical axis mirrors the other.
|
19
|
Hues that are next to each other on the color wheel and have a single color in common are called a(n).
|
25
|
A combination of colors that has a relationship and a specific effect.
|
27
|
The organization of the parts of a composition such that each side of a vertical axis are visually equal without being identical.
|
28
|
The sense of oneness or wholeness in a work of art.
|
29
|
An element of design that refers to the lightness or darkness of grays and colors.
|
32
|
The organization of the parts of a composition such that each side of a vertical axis contains similar, but not identical shapes or forms.
|
34
|
Precise, elegant handwriting or lettering done by hand.
|
38
|
A graphic organizer or picture of all the colors in a special order.
|
39
|
A composition that is based on a circle, with a design radiating from a central point has this type of balance.
|
40
|
An artwork’s actual or implied surface quality, such as rough, smooth, or soft.
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41
|
A principle of design that refers to differences in elements such as color, texture, value, and shape, that as well, add excitement, drama, or interest to a work of art.
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